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The Supreme Uneasiness: Incessant Portrait of Fernando Vallejo cover image

The Supreme Uneasiness: Incessant Portrait of Fernando Vallejo 2003

Recommended with reservations

Distributed by LAVA - Latin American Video Archives, 124 Washington Place, New York, NY 10014; 212-243-4804
Produced by Luis Ospina
Directed by Luis Ospina
VHS, color, 90 min.



College - Adult
Latin American Studies, Sociology

Date Entered: 08/09/2005

Reviewed by Cindy Badilla-Melendez, University of St. Thomas, St. Paul, MN

Fernando Vallejo, controversial and exiled Colombian writer, is presented in this documentary in both of his worlds, Mexico and Colombia. Following several interviews with Vallejo, as well as with family members, artists and writers, Vallejo makes his point of view very clear concerning life, literature and politics.

Known for his infinite talents as biographer, musicians, filmmaker, and writer, Vallejo wrote the book, La Virgen de los Sicarios which was adapted into film, produced and directed by Barbet Schroeder. This shocking film addresses the dehumanization occurring in Colombia. It appears that everybody is against each other and life is practically worthless. La Virgen de los Sicarios is a biographical work, reflective of Vallejo's literary style. Commentaries and criticisms about the film are made thoroughout The Supreme Uneasiness.

The Supreme Uneasiness follows Vallejo in his home while he changes contact lenses, brushes his dog’s teeth and plays the piano. Several of his writings are read during the film. In a calm manner, Fernando Vallejo expresses his opinions speaking out against Colombian politics, drug dealers, Colombia’s president and the poor. Strong and critical opinions are well founded.

The film is long, presenting excellent archival material addressing the violence and corruption in Colombia. The viewpoints are well established from the beginning and reinforced throughout the film. The picture and sound quality are good, and it is in Spanish with English subtitles.

This is one of those documentaries, that while it is a good piece, it is questionable as to whether it fits in to a syllabus. In spite of that fact, the film is well done with a home video feel. The information contained is invaluable for understanding a particular writer’s style - perhaps not what you would expect. Also, the contents about Columbia contribute strongly to Latin American Studies.

The best recommendation is to request this documentary for preview before buying it. It could fit the subjects of Latin American Studies, Latin America Literature, and Sociology.