Educational Media Reviews Online

Some discussion of the cultural, historical, and symbolic significance of totem poles might be expected in this documentary on a renowned creator of totem poles, now working in Vancouver, but it is sadly absent.

The viewer is introduced to Haida master carver Robert Davidson, and able to watch the development of a commissioned totem pole, from its beginning as a cedar tree to a completed work of art. Great grandson of wood-carver Charles Edenshaw and under the influence of another Haida artist, Bill Reid (1920-1998), Davidson is committed to a master/apprentice model. He is assisted in his work by a number of artists-in-training, that carry out his artistic vision, while gaining important experience in carving, painting, and working with a master. The commissioned totem pole is completed in 17 months, and as we watch its progress, we listen to the artist presenting his thoughts on his culture, his influences, and his role as a mentor.

It is interesting to see the emergence of a visually colorful and powerful totem pole, and to get a snapshot of its stages of development. But, in the end, this film is a disappointment, because so much is left unsaid. In addition to the lack of narrative on the significance of the pole itself, the viewer is never told that Davidson is also a sculptor, metalworker, printmaker, jewelry and blanket-maker. Little is said about the Native American traditions into which he was born, the current trends in Native American art, and his importance in contemporary arts. The artist's remarks are relatively few, spoken in a quiet and deliberate manner, and imparting a limited amount of insight on his aesthetic or work habits.

The audience for this film is junior high and above. Despite its regional appeal to those in the Northwest Coast region, I recommend holding out for a more substantive offering.